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MASTERPIECES


Explore a collection of exceptional pieces, each the result of a deliberate and highly skilled process where time, precision, and craftsmanship are essential. Rooted in the tradition of fine jewellery making, every creation reflects a deep understanding of material, form, and technique.

Developed over years through a series of projects and bespoke commissions, these works represent a collection of unique pieces, each with its own character and presence. Central to this is a carefully assembled selection of rare and exceptional gemstones, gathered over time and chosen for their individuality and natural beauty.

Occasionally created in collaboration with other master artisans, these pieces go beyond traditional jewellery, reflecting a shared commitment to excellence. The result is a body of work that stands as a testament to the art of fine jewellery at its highest level.

Discover the story and artistry behind each creation

The Piece Inspired by Godfried Schalcken's "Young Woman Playing a Cittern"

                    THE SCHALCKEN RING 

 

For Masterly The Hague, a prestigious exhibition where contemporary design is presented in dialogue with Dutch Old Masters, Daniel Moesker created the Schalcken Ring. The piece reflects his precise craftsmanship and contemporary approach to jewellery, drawing inspiration from Dutch art history. It was first presented at the exhibition within one of The Hague’s historic venues, forming a subtle dialogue between heritage and modern design.

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INSPIRATION

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Schalcken, Godefridus

1643 - 1706

Young woman playing a cittern

Young Woman Playing a Cittern reflects a mastery of intimate, candlelit scenes and refined domestic interiors. Positioned between portrait and genre painting, it may depict an idealised version of his wife, Françoise van Diemen, with subtle erotic undertones suggested through music and setting.

Celebrated for his meticulous technique and luminous handling of light, he worked for patrons including William III of England. The painting is in the collection of Museum Bredius in The Hague.

MAKING OF THE RING

Daniel drew his inspiration from the distinctive sleeve of the young woman in the painting, with its soft, sculptural folds in delicate shades of white and blue. Translating this form into jewellery, he began with a hand-drawn design and crafted the solid base, layering elements on top to capture the sleeve’s dimensionality and gentle structure.

The ring was realized in 18 kt white and rose gold and set with 598 pave‑set sapphires and diamonds. Each stone was carefully selected and colour‑graded to reflect the nuanced tones of the sleeve, the interplay of shadow, light, and colour that Schalcken rendered so masterfully. The sculpted upper form evokes the sleeve’s texture and volume, giving the piece a lifelike presence and a direct dialogue with the painting.

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